This blog will touch on the experiences I have as a writer (not to be mistaken for my experience as a writer, i.e. how many books I've written, etc); the pleasure and the pain, the joy and the grief, the satisfaction and the frustration, the magic and the reality - have I left anything out, oh yeah, the rejection, rejection and more rejection, the humiliation and the embarrassment, the jealousy and the resentment - that pretty much covers it, except for why I do it which perhaps I'll realize along the way. Are you totally confused? Good, let's begin.
Residential schools operated in Canada for a hundred years and about one hundred and fifty thousand First Nations children were forcibly removed from their parents and their communities and sent to them. The philosophy of these institutions was to kill the Indian in the child so they could better assimilate into white society.
It’s been well documented, indeed even Prime Minister Trudeau has apologized for the physical, sexual, emotional, and spiritual abuse these children endured for the ten years they were enrolled.
What isn’t understood is that as well as losing a normal childhood they also lost coping mechanisms, trust, a sense of safety and belonging and future parenting skills. For generations there was a cycle of remove children from their family, culture and support systems; shame, punish and abuse them; and then return them to parents who had undergone the same treatment.
If you don’t have this information, and other information about the cultural genocide perpetrated by the Canadian government, supported at least indirectly by the Canadian people than you cannot begin to understand the struggle of First Nations people in Canada.
I didn’t and now I do, thanks to Lynda Gray’s book, First Nations 101.
In a readable and dispassionate voice, Gray, a member of the Tsimshian Nation and Executive Director of the Urban Native Youth Assoc. in Vancouver, Canada, lays it all out and it’s horrific, unjustifiable and unresolved.
Chapters include identity, social control, community issues, fairness and justice, taxation, health and wellness and arts.
Apologies and commissions aside, First Nations still struggle with poverty and discrimination which are born out by statistics including Indigenous adults representing 4.1 percent of the of the total Canadian adult population — but 26 percent of adults in federal custody.
As they begin to recover from the effects of our assimilation policies and decades of intergenerational trauma all they ask is that they receive justice and fairness and for us to get out of their way so they can get on with the healing and rebuilding of their culture.
At the end of the book, Gray describes what needs to be done by the Canadian government and Canadians individually, and First Nations themselves if both sides are really interested in truth and reconciliation.
Reading First Nations 101 is a good first step.
I want to thank Artsy Ally for pointing out a typo on page 15 in my new release East Van Saturday Night - Four Short Stories and a Novella (EVSN). It has since been corrected on all digital platforms and in paperback. Unfortunately, if you purchased the book in either form before September 28, 2018, you’ve got one with the error in it and maybe a few others that have yet to be discovered.
Artsy Ally, a.k.a. Ally Robertson, is content producer and social media director of Access Television, a non-profit organization that airs “community stories from Vancouver, BC, with a focus on marginalized voices. Produced by volunteers and neighbours.”
I reached out to her to see if she’d be interested in reviewing the above mentioned new release.
The response was interesting.
Robertson asked for a digital copy and said she would “hand it off to someone who may read and review it. If they decide to do a review, we will have you come into the studio for a short interview.”
That sounded encouraging, and I sent an e-pub version immediately. The following day I received her response.
She began by saying “Your stories have merit and I enjoyed the memories they stirred in me. I really enjoyed the chapters with Chris’s attempt at crossing Canada. ... I found East Van Saturday Night to be more like a one story novella with chapters, as the stories are of the same character.”
Robertson then proceeded to tell me she too was a self-published author “at the moment,” and she would “highly recommend you have people proofread your work before you publish. I am trying not to be highly critical, but as a former book publisher who published over 60 authors, I have some experienced suggestions for you. I found there were some issues with the book I just couldn’t overlook.”
Robertson said the book contained “plenty of grammatical errors” as well as “simple spelling mistakes.” Other issues she “just couldn’t overlook” included “un-announced dialogue switching” and “proper scene changes” which the book “desperately needs.”
Her suggestion was to have “a good proofreader go over it and you re-edit.”
I have an incredibly thick skin. I look at constructive criticism as a way to improve my writing. Accordingly, I sent the following response to Artsy.
No offence taken, in fact, thank you for your suggestions.
Scene changes can also be indicated by adding an additional blank line space, which I prefer over asterisks. However, I realize this style works better in print than in digital as the formatting may diminish it or eliminate the space altogether. I plan to take your suggestion and revise the manuscript inserting asterisks to indicate scene changes.
When errors are pointed out, I fix them and upload the corrected manuscript to all my digital and print publishing platforms. New readers will find one less mistake, though unfortunately, that doesn’t help those who have purchased my book with the typo.
When I write, I have two computer programs (Grammarly and ProWritingAid) filter the work. After a minimum of three revisions, I send the manuscript to three beta readers. Despite this rather thorough process errors are still overlooked.
Excuses and expenses aside, I will endeavour to do better.
Robertson replied saying I might be able to “find a student willing to do it (proofread) for $1.00 per page.” She was lucky enough to have her novel, Epic Crazy Love “go through 3 editors and a proofreader long before I re-published it myself.”
So now that you’ve got context let’s draw some conclusions.
Apparently, Robertson doesn’t think three beta readers, two computer editing/grammar programs and the author have the editing prowess of a student paid a dollar a page. Maybe she’s right.
More importantly, though, I’m interested in how well her novel is doing considering it went “through 3 editors and a proofreader” before it was self-published.
Epic Crazy Love was published in April 2017. Here’s the blurb accompanying the book.
Can two reunited soul mates conquer deceit, begrudged malice, extortion, multiple mental and physical traumas and maintain an intense, lasting, abiding love?
To date, Epic Crazy Love has one, five-star review. Here are its rankings on Amazon.
“I did love the story (East Van Saturday Night) itself,” Robertson writes, “but reading it, it was difficult to overlook all of the little things that threw me off as a reader. Paying someone to proofread will really kick it up a notch and make your work great.”
Or maybe not.
But here’s the kicker, Artsy Ally, didn’t pass along my book to the reviewer saying, “Due to the adult content I don’t think it’s a good match for us to review for you, I don’t think it would be something Susan would enjoy reading so I won’t pass it along.”
Add censor to Robertson’s list of accomplishments.
Stay calm. Be brave. Watch for the signs.
Access Television https://www.facebook.com/ACCESSCOMMUNITYTV/
Epic Crazy Love
Author Amazon Page https://www.amazon.com/-/e/B003DS6LEU
JJ Carlisle is the worst kind of spoiled; a grown adult with a sense of entitlement and a family that indulges it. Surprisingly, he’s done well or did well. Computer savvy, he hooked up with a tech startup and scored big only to lose it all in the economic crash.
Of course, the downturn in the economy is not his fault; neither is the fact that he never saved a penny of the hundreds of thousands of dollars he made. Now he’s broke, angry and looking for someone to blame.
Participation in Occupy Oakland is the perfect outlet, and during a demonstration, he’s arrested for assault.
Set it Off by Myanne Shelley sounds like it could be an interesting story with contemporary issues, action and politics. It isn’t and here’s why.
Rather than start the story with an action-filled inciting incident - the demonstration and the arrest, Shelley chooses to begin with JJ being bailed out by his sister, Jackie, and step-sister, Karen.
The next few chapters flash back to the three character’s childhoods. It’s backstory and not very interesting at that, though there’s a bit of character development and the reader gets a sense of the relationship between the three.
Then we’re back to the present, and everyone is gathering for their father’s eightieth birthday. There’s lots of reflection but no drama; not even a family feud.
Occasionally, JJ meets up with his pals from the Occupy Oakland movement, but they’re hardly radical and more philosophical than violent.
I kept anticipating something would happen, but nothing does. The story just peters out.
Shelley writes well. Her dialogue is authentic, and her characters are well-drawn, the problem is they’re unsympathetic. Besides being boringly normal, they’re timid and whiney.
But what makes Set if Off so lacklustre a read is the fundamentals of storytelling are missing: Goal, Motivation and Conflict.
The goals of the three main characters are so vague as to be non-existent. Without goals there’s no conflict. How can there be conflict when everyone is more or less satisfied with their situation, or at least too unmotivated to do anything about it?
Add to that Shelley’s passive writing style - the author prefers to have the characters explain what happens than have them actively engage in the events.
These deficiencies represent lack of craft - beginner’s mistakes. They would have been easily identified by peer writing groups or instructors in writing courses. Reading books on how to write fiction can also be helpful though nothing takes the place of an honest, constructive critique by a writing professional.
To date, Shelley has published six books (all free except one at http://www.smashwords.com). Set if Off was one of her earlier works published in 2013.
I’ve certainly improved as a writer since I published my first novel, Saving Spirit Bear. I wondered if Shelley had? I decided to find out.
Already Gone is Shelley’s most recent work published in November 2017.
Glen and Rachel Voight, a married couple in their fifties, are on a brief vacation to New York City. After a day of sightseeing, Rachel has returned to the hotel to gather her energy while her husband continues to sightsee.
She’s waiting for him to return when she learns of a terrorist attack at a nearby nightclub. A man entered the club, sprayed the room with bullets, doused it with gasoline and then ignited it by blowing himself up.
When Glen doesn’t return to the hotel, Rachel’s anxiety mounts. When survivors identify her husband as being present at the time of the attack, and a surveillance camera backs it up, Rachel fears her worst nightmare is a reality. His jacket, found at the scene, confirms it. Because many of the bodies are burned beyond recognition her husband’s death is assumed, though never actually confirmed*.
Weeks after the attack, Nick, Glen’s brother, finds evidence Glen’s laptop has been used after it was assumed destroyed along with Glen in the fire. Was it stolen from the crime scene before the attack? When further anomalies are discovered including links to secret accounts, Rachel is left to wonder if Glen is dead or has just used the opportunity to disappear?
Author Myanne Shelley realistically portrays the emotions of someone thrust into these tragic circumstances while at the same time gradually sowing seeds of suspicion. But her unfolding of the plot takes too long, and in the end, nothing is resolved.
As in the previous novel I reviewed, Shelley does not include any dramatic action scenes; she seems to avoid them, preferring to spend the majority of time in her protagonist’s head replaying the events. Though this may be what traumatized individuals actually do, it doesn’t make for exciting reading.
Shelley writes well with good dialogue, characterization and realistic relationships between her characters, but her story lacks intensity. The other problem that becomes more glaring as the narrative unfolds with the absence of any startling revelations is the lack of motivation.
Why would Glen choose to disappear in such a dramatic way? Why would he inflict such pain on his family and sever ties forever with those he loved? There is no crushing debt, no illegal manipulations of client accounts; no harridan of a wife, nothing that is inescapable.
Wouldn’t it have been a lot easier in every way just to walk away from the relationship? People do it all the time.
After reading two of Shelley's novels written five years apart, I’d say Shelley’s writing has not improved in that time.
Not too long ago I read and reviewed Writing 21st Century Fiction: High Impact Techniques for Exceptional Storytelling by Donald Maas (you can still find the review in its entirety on this site).
Maas had a few good ideas, but the basic premise was “go big or go home.” Write big stories about larger than life characters in life-altering situations.
Face it, most of us lead mundane lives, at least I do, and when we read a book we want to escape from it and be entertained by charismatic heroes challenged by and intriguing plots. As an author, if you’re not prepared to offer that you’ll have no commercial success, likely no success whatsoever. I’d recommend Shelley read Maas’s book.
But even if she isn't motivated by sales, she should endeavour to learn the fundamentals of storytelling.
Whether she writes to validate her interpretation of the world, seeks the fulfillment of connecting with readers, or simply to appreciate the satisfaction of producing a well-written story, she needs to hone her craft to achieve these goals.
Myanne Shelley has the potential to be a better author and writer; it would be a shame to see it squandered by lack of commitment. Remember what Nietzsche said, “Art is the proper task of life.”
I’d give both Shelley’s books three stars with credit for their evocative covers as well as being professionally produced and edited - error-free.
* Evidently, charred bodies can be confirmed through DNA if there is some idea of who the victim might be so a comparison can be made.
What people are saying about East Van Saturday Night:
"... your writing is fresh, visceral and intuitively captures the rawness of youth and the dark energy of East Van..." and “...chronicles the past so authentically...”
- Al Forrie of Thistledown Press, an independent Canadian publisher since 1975
“Your stories have merit and I enjoyed the memories they stirred in me. I really enjoyed the chapters with Chris’s attempt at crossing Canada. ... I found East Van Saturday Night to be more like a one story novella with chapters, as the stories are of the same character.”
- Ally Robertson, Content Producer and Social Media director of Access Television
Enter to win one of fifty e-book editions at
Author Amazon Page
“Man is least himself when he talks in his own person.
Give him a mask, and he will tell you the truth.”
- Oscar Wilde
East Vancouver has become gentrified and at the same time romanticized. It was neither when I was growing up on East 4th Avenue in ‘50’s and ‘60’s. Indeed, it was the neighbourhood you hoped to get out of rather than move in to.
A low-income, blue-collar neighbourhood, adults spent their evenings and weekends in the Legion while their kids were raised on the street. They left home in the morning, showed up for dinner, and were gone again until “the gun” sounded at 9 p.m. I was one of them.
During the time away adventures were undertaken, friendships were forged, and character was created. East Van Rules was not only meant as a challenge, but also a code to live by.
East Van Saturday Night - Four short stories and novella, highlight coming of age events during that era; a ten-year-old playing for the elementary school softball championship, a teenage tough strutting his stuff at the local dance, a hippie youth hitchhiking across Canada during the Summer of Love.
Watershed moments told from a perspective that explains why you can take the boy out of East Van, but you'll never take East Van out of the boy.
Now available in E-book or Paperback at
Jilly Truitt is a young, ambitious criminal lawyer making a name for herself.
When a wealthy businessman, Vincent Trussardi is accused of murdering his young wife, he reaches out to Truitt to defend him. This will be a high profile case with a significant retainer and Jilly is eager to take it on even though the evidence overwhelmingly suggests her client is guilty.
Full Disclosure is Beverley McLachlin’s first novel after retiring as the longest Chief Justice of the Supreme Court of Canada for seventeen years, the first women to hold that position and the longest-serving Chief Justice in Canadian history.
As a jurist, McLachlin is formidable, as an author she’s just a beginner, and it shows.
There are a number of plot points in the book that stretched this reader’s suspension of disbelief nearly to the breaking point, but I hung in there expecting some insights regarding the Canadian legal system, the professionals involved and those they prosecute or defend.
There weren’t any. In fact, the lack of originality had me wondering if I hadn’t read this before. That isn’t to say I didn’t enjoy it. The story takes place in Vancouver, Canada, my hometown and hers, and it was fun recognizing the restaurants, landmarks and neighbourhoods where the scenes unfold.
Unfortunately, as the novel draws to an end, and with many questions still unanswered, the author (out of desperation?) resorts to the old, tired technique of having her protagonist goad a suspect, Perry Mason style, into confessing. Of course, this confession is taped on a recorder hidden in her pocket and is used to exonerate her client. See what I mean about lack of originality.
Though it didn't have any real bearing on the novel, I was surprised and disappointed at the author’s treatment of a First Nation person in her story. Though a very minor character, when this young woman is challenged by isolation and unhappiness her choice is to become a drug addict and support her habit by prostitution.
With so many other positive possibilities out there, why did someone of the McLachlin’s stature and presumed sensibilities choose this clichéd depiction of our Indigenous people?
Despite the efforts of the best editors Simon and Schuster employ, I doubt Full Disclosure would have been published had it not been for the author’s significant profile which, like all books written by celebrities, assures at least some sales.
The real test will be McLachlin’s next novel.
The only way I have been able to sell my books is in person, directly to a potential reader.
When I did the math, I realized that I could order my books, mark them up and sell them cheaper than someone could buy them from Amazon, when you factored in the cost of shipping.
Here’s an example: For me to order a copy of Local Rag costs $4.40 CA, plus $2.43 shipping = $6.83 For anyone else to buy a copy of Local Rag from Amazon Canada costs $13.29, plus $4.98 shipping, plus GST 91¢ = $18.95 The difference is $12.12 (I don’t have to collect the GST because my sales are under $30,000 annually).
If I deduct the $2.86 royalty from my Amazon sale, I'm still ahead $9.26. I can offer a $2.00 discount to the purchaser and make more than $4.00 more than I get from a sale on Amazon.
About a year ago, I started researching venues where I could sell my books in person. I rejected flea markets and other events unrelated to literature and soon found opportunities to participate in public readings and talks. You speak briefly about your book or a related topic and sell your work after the event while mingling with the audience.
I took it a step further and developed mini-seminars in self-publishing and memoir writing which I conducted free. The audience was very sales friendly. This system worked at book fairs as well, but since the table rental had to be taken into consideration, I had to be a little more aggressive.
In sales, it’s essential to engage the customer, so you have to get out from behind the table and chat up the passers-by. I printed up cheap bookmarks to give away, had them fill out an entry form (don’t forget their email address) for a free draw of some of my books, and talked about the event, even the other authors.
I’ve made a living at direct sales so this is second nature to me, but even so it was exhausting and not a lot of fun.
After six months I had a decision to make. I now had lots of opportunities to speak, teach and sell my books, but I needed to invest in more stock. If I ordered more books, I’d have to get out there and flog them.
I decided I’d had enough.
So what have I learned?
Selling a book is a lot like writing one. There’s no easy way,
and nobody can do it for you.
Stay calm, be brave, watch for the signs.
Amazon Author Page (still the easiest way to sell books)
The internet has a plethora of sites that offer free or deeply discounted e-books to members.
They get their product from authors who are enticed by the opportunity to have a promo template of their book sent free to the site’s membership in hopes that some members will download it, read and review it.
The free offer is a teaser to encourage you to pay for their enhanced list - more members and prolonged exposure.
They also offer a free author interview template. Answer the questions, add your picture and they’ll post it for free.
I discounted Local Rag to 99¢ and submitted it to the four sites listed below, taking advantage of free option only. I work hard to write and produce a decent book and I won't pay to give it away for free.
Like so many things that are free, and I suppose that goes for most free e-books, you get what you pay for. I didn’t see a whiff of interest.
I’ve researched a few authors who have documented how much they spent versus how much they made in sales using this approach. They claim to have broke even, but I have my doubts. I’m reminded of my friend who makes frequent trips to Las Vegas. When he wins, I hear about it. When he loses, well, he’s back talking about the time he won.
The other thing I noticed is that their book sales were not sustained. There may have been a blip, but there was not enough reviews, word of mouth, or buzz, in general, to elevate their book from self-publishing oblivion.
Stay calm, be brave, watch for the signs
Discount book sites
My Amazon Book Page in case you want to purchase Local Rag for 99¢ until the end of August
Ursula Le Guin describes Steering the Craft, A 21st-Century Guide to Sailing the Sea of Story, as “A handbook for storytellers - writers of narrative prose and not for beginners.”
Indeed, it is not a book for beginners as much of what she addresses would be beyond the comprehension of novices. What it does concentrate on are those problems that challenge writers and impede the tone an flow of the narrative.
For example, she asks you to listen to the sound of your writing which involves diction and syntax.
Sophisticated consideration is given to verbs: person and tense, as well as point of view and changing point of view.
Indirection narration or what tells including avoiding expository lumps is discussed in depth.
There’s an excellent chapter entitled Crowding and Leaping which involves the necessity of focusing on some areas while leaping ahead in other parts while still following a fixed trajectory.
Steering the Craft is primarily a workbook with “exercise consciousness-raisers that aim to clarify and intensify your awareness of certain elements of prose writing and certain techniques and modes of storytelling."
These exercises are challenging but illuminating. I particularly benefitted from one called A Terrible Thing to Do that involved writing a narrative of about 500 words and then cutting it by half still keeping the narrative clear and not replacing specifics by generalities.
The book also includes the best advice I’ve read on running peer group writing workshops.
This slim volume has profound insights on writing and presents them with grace, charm an wit. The goal, according to the author, is to help you develop skills that free you to write want you to write.
Or as Le Guin puts it so that you’re “ready to let the story tell itself; having the skills, knowing the craft so that when the magic boat comes by, you can step into it and guide it where it wants to go, where it ought to go.”
As an independent, self-published author you could spend thousands of dollars to have your book professionally edited, produced and marketed. Despite what you’ve been told it would not guarantee success, in fact, you’d be lucky if you sold enough books to offset the costs.
Knowing this has made me reluctant to pay for these additional services.
Some would argue that’s the reason I’ve had no success. I’m too cheap to pay for the services of professionals to design my covers and edit my manuscripts.
That’s at least partially true, but I maintain the real reason is I’m still not a good enough writer.
I’ve done a lot of stuff to become a better writer, and it's worked, up to a point. What I need now is someone educated and experienced who knows more about the fundamentals of the craft than I do to make constructive suggestions on how I can move forward.
I need a skilled and credible editor.
With my last three novels, I’ve been fortunate to have three dedicated beta readers who have volunteered to read my manuscripts and found hundreds of typos, spelling mistakes and dropped words. They’ve improved the final product immeasurably and yet even after I incorporate all the corrections I still come across embarrassing errors.
But what’s worse, when preparing The Local Rag, my last full length novel, to submit to a competition, I noticed passages that were awkward and poorly written. They were examples of lazy writing, not digging deep enough, or, not having someone to push me to dig deeper. Someone credible who I trust.
There is a plethora of editing services on the internet from freelancers to large companies that tie in editing with other self-publishing services. For example BookBaby https://www.bookbaby.com/book-editing-services/
Copy editing as defined by BookBaby’s Editing Services site includes “a basic word-by-word edit that addresses grammar, usage, and consistency.”
Line editing according to BB is, “A more intensive structural edit that focuses on the finer aspects of language—the flow of ideas, transition elements, tone, and style,” as well as all the services performed in Copy Editing.
At BookBaby the cost of Copy Editing is $7.00 per page; line editing $10 per page. At 255 pages, it would cost $2250 to have The Local Rag line edited.
To recover that cost, I would have to sell 1,020 copies of the paperback edition or 1607 ebooks.
Well, that isn’t going to happen.
What about a computer program that is inexpensive (preferably free) and would at least eliminate most of the errors that were being missed by my beta readers and repeatedly by me?
ProWritingAid claims to be “your personal writing coach, grammar guru, style editor and writing mentor in one software package.” It also has a free version that allows you to upload articles to a maximum of 500 words.
I tried it and was impressed. I checked out a few others and liked Grammarly as well because it focuses on grammar and punctuation and ease of use.
I experimented by uploading chapters of The Local Rag first into ProWritingAid for style suggestions and mentoring(?) and then taking that version with the changes I made and putting it through Grammarly for one final check for grammar and punctuation.
Not only have these two programs eliminated errors, but ProWritingAid has also prompted me to improve things like passive writing, sticky sentences and shows me where opportunities to show rather than tell.
A year’s subscription to Grammarly cost me USD 139.00. I found 25% off coupon for ProWritingAid to bring my annual fee down to USD 37.50.
I plan to ask my beta readers to comment more on the story, now that they don’t have to worry about what amounts to proofreading. Addressing issues like was the opening compelling, did you find the main character sympathetic, was the dialogue authentic, what parts were boring (bogged down in back-story), what parts were exciting (if any), plot glitches, and overall, how could the story be improved would be illuminating.
Frequently, traditional publishers will release a work of fiction by a famous person. Because of author's fame in other endeavours and the curiosity factor of the public, it’s a guarantee that the books by these first-time authors will make money. I make a point of reading these books to remind myself that even the best editors, the most creative cover designers, and a full-press marketing campaign complete with a book tour can’t make a bad book good.
The most recent example of a "celebrity book" that all the professional services in the world couldn’t save was Crying for the Moon by Mary Walsh, a comic icon in Canada.
The next one likely one will be Full Disclosure, the first novel, a thriller, by the former Chief Justice of Canada, Beverley McLachlin.
You’d think these authors, who have risen to the top of their profession, might have some insights into areas you and I don’t. Maybe they do. But most are long on hubris and short on writing craft and whatever inside information they have isn't worth the effort of reading their book.
I’ll find out if this is the case with McLachlin by and by; I’m number 134 on the list to borrow her book from my local library.
This is the long way of saying editing services, online or provided by a real person, without a doubt will improve your writing. But no matter how much you pay them they can’t make a silk purse out of sow's ear.
I take some consolation in that.
Stay Calm, Be Brave, Watch for the Signs
Website links associated with this blog:
BookBaby Editing Services https://www.bookbaby.com/book-editing-services/
Author's Amazon Page https://www.amazon.com/-/e/B003DS6LEU
Okay, so 20 Editing Tips from Professional Writers is promo material for ProWritingAid, an "editing tool that highlights style issues and compares your writing to the best writers in your genre". It's even written by the founder Chris Banks and editor of the ProWritingAid blog, Lisa Lepki.
Does that mean it's all about flogging their site?
Yes, with almost every editing tip there's an explanation on how ProWritingAid identifies the issue so you can make the appropriate edits.
But what about those twenty editing tips?
Surprisingly, at least for me, they are all excellent advice and well worth the not-so-subtle sales pitch for their product. And as a bonus, each tip is presented in an easy to read info-graphic style and comes with examples.
I downloaded this e-book free using a link provided by BookBaby. https://cdn.prowritingaid.com/ebook/ProWritingAid_EBook.pdf,
If you prefer you can pay for it - it's worth it and less expensive than a subscription to their site.
What's more disappointing than launching a new book and getting no sales and no reviews?
Paying hundreds if not thousands of dollars for someone to launch your new book for you and getting no sales and no reviews.
Cold-Blooded, Book 2 in the Mattie Saunders series was launched with a pre-order on Smashwords on January 15, 2018.
The Mattie Saunders Series is what I now go back to when I'm between, or need a break from, the major novel I'm working on. Mattie is a modern young woman dealing with new adult issues of relationships, career and family as well as addressing the contemporary challenges confronting society.
I'm actually taking subjects right from the nightly newscast and examining them from a fictional perspective. Because my overriding concern is wild places, plants and animals there's also a subplot that examines this problem as well.
In Cold-Blooded Mattie deals with the opioid crisis, a crumbling relationship and the exploitation of reptiles by the exotic pet trade.
This series of novella's are fast paced, somewhat irreverent and short - about one hundred pages.
The book was published on February 23, 2018, as an e-book on Smashwords and Draft2Digital and as an e-book and paperback on Amazon.
At that time I sent out approximately two hundred and thirty-four emails to members of my Advanced Reading Team with a coupon code for a free download of Cold-Blooded from Smashwords. Follow up emails went out March 4th and 13th.
The launch continued with giveaways on BookLikes and LibraryThing beginning March 18. I use these two sites because they don't charge you to offer your book for free like Goodreads that now charges $119.
If I ever thought I'd have to pay to give my books away I may have reconsidered becoming an author.
I used Goodreads prior to them charging to list giveaways and despite having a far greater audience than these other two sites I never found it generated more reviews.
After a month, BookLikes had two people requesting Cold-Blooded and LibraryThing had twenty-six.
I use free coupon codes on Smashwords with both my ARCs and giveaways so I can see how many actually redeem the coupon. Totally coupons offered, 271. Totally coupons redeemed, 27.
To date, marketing for Cold-Blooded has generated two tepid reviews and no sales.
It is now May 13th and I've just generated a free coupon for The Rocker and the Bird Girl, Book 1 in the Mattie Saunders Series, on Smashwords. The strategy is by offering the first book in the series free, readers will purchase the second book. Here's the link if you're interested. It expires June 3, 2018.
I'm likely going to enroll The Rocker and the Bird Girl on KDP Select so I can take advantage of offering it free for five days over the course of the three month exclusive commitment to see it that will generate any interest in Cold-Blooded.
What's the take-away?
This is classic book launch marketing, something you can easily pay hundreds if not thousands of dollars for and I did it all free.
Okay, I got zero results, but if you're and Indie Author and considering investing in marketing your self-published book ask yourself, why should you expect a different outcome? Unless you've got a real good reason, consider going the free route as outlined here or you'll likely learn the hard way what's more disappointing than launching a new book and getting no sales and no reviews.
Stay calm, be brave, watch for the signs.
Links associate with this blog:
Author Amazon site https://www.amazon.com/-/e/B003DS6LEU
Link for free copy of The Rocker and the Bird Girl https://www.smashwords.com/books/view/727720
KindleDirect Publishing https://kdp.amazon.com/
By Richard Powers
Peter Els is a composer of new music, an old man, a adjunct professor who has been put out to pasture. When his dog, Orfeo, his only companion, dies suddenly he's so distraught he mistakenly calls 9-1-1. He abruptly ends the call which brings the police to his home only to find he's been passing his time cooking up variant biological strains in his kitchen laboratory.
Is this crackpot a bioterrorist? When the authorities come to investigate, Els goes on the lam.
Author Richard Powers has the narrative go back and forth between Els' past and the present until they converge. Gradually a picture emerges of the a man obsessed with music, music that sounds like noise to most people.
I was never sure if Els was a genius, delusional, lazy or just stubborn, but his obsession manages to wreck every career opportunity and relationship he comes in contact with.
As a protagonist Els is not sympathetic, he's frustrating.
Powers burdens the story with extensive passages about experimental music and minute details on musical composition. It's excessive and redundant as are his passages of transcendence the composer feels when in the thrall of his muse. The plot seems to drift as if the author wasn't sure where to take it and the conclusion is as predictable as it is melodramatic.
Throughout the book the author has inserted intrusive sentences presented in a different font and separated from the text by bold lines. I had no idea what the quotes were referring to, who they were by or what part they played in the story other than pulling me out of the reading experience.
I began reading Nickel Mountain by John Gardner because I wanted to see if one of the most renown teachers of fiction could actually write as well as he expected others to.
Gardner felt that aspiring to be an author was almost akin to a "higher calling" and required rigorous study and practice. As well as hard work and sacrifice such a career choice came with duties and responsibilities.
The most important of which is telling the truth, and not just getting facts right, but making sure your fiction is believable and not perceived by the reader as a lie. Foremost it must "affirm moral truths about human existence".
Well, okay. That's quite a tall order so I was curious to see if his fiction reflected all that high-minded stuff.
Henry Soames is middle-aged but acts and thinks like an old man. He runs a truck stop restaurant by himself on a lonely highway. Everything about him is depressing; he's morbidly overweight, he's got a bad heart, he's filled with self-pity and shows it, he blames his overbearing mother and failure father for his station in life. This guy is your classic victim and one of the most unsympathetic protagonists I've ever encountered.
When an acquaintance suggests Soames hire his teenage daughter to help run the place he agrees. Why does he agree when there's no indication he needs help and is about as misanthropic as a person can be? Gardner doesn't tell the reader.
Which is interesting because the relationship between Henry Soames and Callie, his sixteen year-old employee is at the crux of the story.
Technically, Gardner starts with promise - his opening sentence is brilliant. However, he delays the inciting incident until it's almost too late, and when it is revealed it's tepid.
Good fiction according to Gardner "creates a vivid and continuous dream" for the reader, but his writing is difficult and complicated, not at all vivid and continuous.
Since I abandoned Nickel Mountain at page 33, I can't say whether moral truths about human existence were ever affirmed, but for the pages I did read I can affirm the story was depressing and monotonous, filled with insignificant details I imagine the reader was supposed to infuse with meaning, meaning which bordered on creepy.
My conclusion is that rigorous study and endless practice is indeed necessary for an author, but it's obviously not a guarantee he'll write a good book.